‘Paro: The Untold Story of Slavery’ Garners Acclaim at Cannes

With the 78th edition of the Cannes Film Festival just behind us, it’s time to shine a spotlight on films that have something vital to say – messages that transcend their value as mere audiovisual entertainment. Paro: The Untold Story of Bride Slavery already opened many eyes during last year’s festival, when the film’s team had women walk around wearing price tags.

Now that this feature – co-written, produced, and led by acclaimed Indian filmmaker Trupti Bhoir – has been screened at the Palais des Festivals in Cannes earlier this month, it has become clear that this powerful drama not only offers an immersive cinematic experience but also takes a bold stand against bride slavery.

Hidden yet – unfortunately – very real, bride slavery has remained an ongoing social evil in India for centuries. In certain regions still suffering from severe gender imbalance, women can be bought like commodities, only to be forced into lives of servitude, stripped of autonomy and human dignity. Similar problems persist in countries like Afghanistan, China, Vietnam, Mexico, and too many more. The name Paro or Molki (‘molki’ literally means ‘one who has a price’) means ‘outsider’ – emblematic of the cruel reality these bride slaves endure.

Tackling this subject for the first time in a film of such magnitude, two-time National Award winner Gajendra Ahire directs a riveting piece inspired by true events.

In Paro: The Untold Story of Bride Slavery, he follows the harrowing journey of a young woman sold into marriage and subjected to polyandry.

‘This is not just a film – it is a mirror held up to society,’ says Trupti Bhoir, who delivers a searing performance in the title role. ‘I created Paro to give a voice to the voiceless, to ignite a conversation that has long been ignored. Women’s rights are human rights, and Paro is a call for justice and change.’

Standing Ovation at Cannes

The Cannes screening of Paro drew a packed audience and an emotional response, with viewers from around the world visibly moved by the film’s depth and raw storytelling. The standing ovation and post-screening discussions confirmed the film’s potential to drive real-world impact far beyond the screen.

Taha Shah Baddusha, who stars alongside Bhoir, shared: ‘Grateful and humbled to be part of a story that truly matters. Presenting Paro at the Marché du Film has been an honor. This film doesn’t just tell a story – it delivers a powerful truth.’ Following the screening, Bhoir ‘Paro is not just India’s story; it’s a global issue. The recognition at Cannes reaffirmed that Paro is no longer just a film – it’s a movement for change that crosses borders and brings hidden truths into the light.’